SOME REACTIONS to MERMAID PARADE's Canadian premiere of THIS WIDE NIGHT at Theatre Passe Muraille's Backspace in July of 2011:
MEDIA
“There's lots to admire in this production, which captures the script's black humor as well as much of its tension." NNN (Recommended; memorable scenes)
-Jon Kaplan, Now Magazine.
"This Wide Night is given a powerful production by Mermaid Parade. The 90-minute two-hander magnetizes. Lindsay Ann Black's realistic, compact set, Conley and Derr's sound design, Astrid Van Wieren and Claire Burns' first class performances, and Jon Michaelson's astute direction, make This Wide Night a night to remember."
-Jeniva Berger, scenechanges.ca
AUDIENCE COMMENTS
"Two well directed stunning actors. Honest, straightforward theatre. No kitsch, no melodrama, no Hollywood style emotional indoctrination. In the raw British theatre tradition."
-Antje Budde, University of Toronto; MA, PhD, Humboldt University of Berlin
“Smart Rough-Theatre.”
-Paul Thompson, Director/ founding AD of Theatre Passe Muraille
“The company has created a piece that cuts through the mundane and strikes at the core of humanity, exposing our fundamental need for comfort and companionship, for understanding and affirmation. These women are not the super cool ex-cons we see in movies but are real women with real needs, hopes and dreams for a better life.
Astrid Van Wieren and Claire Burns, both impeccably cast in their roles, allow us to witness Lorraine and Marie's struggle from the inside out. There is great poignancy to the lives of these women and we as an audience are left with feeling both empathy and a strong desire to see them succeed.
It is not often that I leave the theatre with the wish that I could do something more for the society I live in. After seeing this production, I exited the theatre feeling just that.”
-Anita La Selva, Director (MFA, York University Directing program for advanced theatre artists.)
“I had the privilege of watching the Canadian Premiere of "This Wide Night" at Theatre Passe Muraille Backspace. Having previously seen the American premiere in New York I attended the performance knowing what to expect. What I found was a new perspective on a piece filled with indelible character interpretation and powerful direction that brilliantly balanced intimacy and theatricality.
The Red Sandcastle is a perfect venue to enhance this piece. It will provide a unique opportunity to witness these very fine performances at close quarters.
Chloë Moss' work is part of a new wave of edgy female playwriting from the UK, and in this case, the toughness of the material, and the maturity and vibrancy of her characterizations have been matched by the skill and sensitivity of this cast and their director.”
-Evan Tsitsias, Member, Tarragon Theatre, 2011 Playwrights Unit; Artistic Director, Co-founder, Directors Lab North; Member, Lincoln Center Directors Lab
Reviews of the Script
....................RAW AND RIVETING
"The piece is beautifully written: comic, colourful, full of pain and tenderness and truth. Chloë Moss has a flair for dialogue and characters that are both quirky and utterly authentic"
-The Times, UK
....................A LITTE PLAY WITH A BIG BRUISED HEART
"One of the pleasures of Chloë Moss' play is that it deals as much in ambiguities as it does in well-worn certainties. The writing is as tender as a wound and full of emotional texture that makes it utterly believable."
-The Guardian, UK
....................STUNNING AND THOUGHT-PROVOKING
"Chloë Moss' play is a sympathetic and very real portrayal of the life women face coming out of prison. The complexity of the two characters and the understanding of their situation are testimonies to Moss' ability to create such high-powered drama."
-Curtain Up, London
....................BEAUTIFUL AND NECESSARY
"Ms. Moss' script is without the shrill, self-conscious worthiness that sometimes cripples productions with social mandates. The play is shaped with compassion, but there is never even an echo of special pleading. Ms. Moss' goal is to convey, in visceral terms, the disorientation of lives resumed after rending, warping interruptions. And you don't have to have done time to identify with Lorraine and Marie's addled, anguished sense of time."
-New York Times
"The piece is beautifully written: comic, colourful, full of pain and tenderness and truth. Chloë Moss has a flair for dialogue and characters that are both quirky and utterly authentic"
-The Times, UK
....................A LITTE PLAY WITH A BIG BRUISED HEART
"One of the pleasures of Chloë Moss' play is that it deals as much in ambiguities as it does in well-worn certainties. The writing is as tender as a wound and full of emotional texture that makes it utterly believable."
-The Guardian, UK
....................STUNNING AND THOUGHT-PROVOKING
"Chloë Moss' play is a sympathetic and very real portrayal of the life women face coming out of prison. The complexity of the two characters and the understanding of their situation are testimonies to Moss' ability to create such high-powered drama."
-Curtain Up, London
....................BEAUTIFUL AND NECESSARY
"Ms. Moss' script is without the shrill, self-conscious worthiness that sometimes cripples productions with social mandates. The play is shaped with compassion, but there is never even an echo of special pleading. Ms. Moss' goal is to convey, in visceral terms, the disorientation of lives resumed after rending, warping interruptions. And you don't have to have done time to identify with Lorraine and Marie's addled, anguished sense of time."
-New York Times
PRESS CONTACT: Jennifer Radford, STAF
416.703.2773 ext. 202
jennifer.radford@theatreadmin.com
416.703.2773 ext. 202
jennifer.radford@theatreadmin.com